Radovljica’s history is the history of a terrace above a river. The town stands on the high ground south of the Sava gorge, and the settlement that became Radovljica grew there from the 13th century, when the market place on the terrace developed under the counts who held the upper Sava country — a walled trading town serving the road between the Ljubljana basin and the alpine valleys. The late-medieval period gave the town the fabric it still keeps: the walls that enclosed the terrace’s edge, the moat that fronted them, the parish church of St Peter rising beside the town, and the narrow burgher houses that line the square. The square itself — today Linhart Square, the old town’s single central space — was the market, the court and the living room of the walled town, and it survives as one of the most complete medieval squares in Slovenia. The town’s proudest son belongs to the later period: Anton Tomaž Linhart, born in Radovljica in 1756, the playwright and historian whose comedies are among the first works of Slovenian drama and whose history of the Slavic peoples gave the Slovene world a place in the wider story — the square now carries his name. The modern layer is the one the town is best known for: beekeeping. Upper Carniola was the heartland of Slovenian beekeeping, and the Carniolan grey bee — the kranjska sivka, the gentle, hardy indigenous bee of the region — carried the town’s wider name, Kranj, across the beekeeping world as Apis mellifera carnica. The Museum of Apiculture in the Manor on the square tells that story, and the town’s gingerbread craft — the Lectar workshop, where honey-sweetened gingerbread hearts have been made for generations — belongs to the same tradition: the honey of the Carniolan bee turned into the sweet craft of Upper Carniola. Today the walls, the moat, the square, the manor and the workshop are all preserved together, and the town reads as a single complete medieval place — a walled terrace town above the Sava, with the story of a bee and a honey-heart inside it.